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VANITY FAIR Special Edition
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22 WHAT COULD GO WRONG?
One year after Envelope-gate, the Oscar telecast is barreling toward an entirely new challenge: how to juggle the demands of celebration, entertainment, and cultural reckoning. By NICOLE SPERLING
26 INTHE MOMENT
With special access to one of Hollywood's big nights, our photographer delivers some unexpected images in a 12-page portfolio. By GREG WILLIAMS
38 UNCHARTED WATERS
The enemy of Fox Searchlight Pictures and its splashy roster of homegrown productions? Familiarity. By RERECCA KEEGAN Photograph by JEISTIN RISHOP
40 MASTER CRAFTS
Meet the nominated artisans who, mixing engineering and ingenuity, transported moviegoers beneath the water, into outer space, and back in time. By JULIE MILLER
44 STUFF OF LEGEND
An exclusive look at historic Hollywood artifacts as a company town finally gets its own museum. By RERECCA KEEGAN
46 TEARING UP THE CARPET
Actresses, designers, and entertainment journalists are rethinking the red carpet as #TimesLJp shares the limelight. By RERECCA KEEGAN
50 CAMPAIGN SEASON
Snapshots from the coast-to-coast parties, festivals, and ceremonies that heated up the race.
52 INDELIRLE WOMEN
Following a banner year for womens voices offscreen, unforgettable female characters rocked the cineplex too. By KATEY RICH Photo illustrations by SEAN MCCARE
56 DIRECTORS' CUT
I.F:S critic handicaps the five best-director candidates in what is clearly the year of the auteur. By RICHARD LAWSON
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58 FESTIVAL GAZE
The Sundance Film Festival, launchpad for both Get Out and Call Me by Your Name, ushered in 2018 with fresh evidence that moviemaking is alive and well. By NICOLE SPERLING Photographs by JUSTIN BISHOP andCHIARA MARINAI
62 EPIC VICTORY
Two decades after Titanic swept the Oscars, James Cameron recalls its strange top-dog/ underdog journey. By RERECCA KEEGAN
COLUMNS
8 THE SOCIAL CONTRACT
Swedish director Ruben Ostlund's The Square grew from family lore into art installation into Oscarnominated satire. By EMMA STEFANSKY
10 SOUNDS RIGHT
Authenticity was the driving force in voice-casting for two best-animation contenders, Coco and The Breadwinner. By JOANNA RORINSON
12 THE GREAT PROJECTOR
The images people see change the way they think. Just ask Frederick Douglass. By FRANKLIN LEONARD Illustration by RARRY RLITT
16 BEYOND THE HASHTAG
The activist who tweeted #OscarsSoWhite in 2015 argues that diversity is good box office too. By APRIL REIGN Illustration by RARRY RLITT
20 INSIDE DOPE
Bryan Fogel's documentary on performance-enhancing drugs was hijacked when a secondary character made global headlines. By JULIE MILLER
Et Cetera
6 OPENING CREDITS
68 PROUST QUESTIONNAIRE
Laurie Metcalf Illustration by RISKO
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