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CREDITS
Page 4: Photographs, left, top to bottom, from Alpha/ Globe Photos, by Peter Charlesworth/JB Pictures, Helmut Newton.
Page 8: Photographs, bottom left, by Andrew Eccles; bottom right, by Caroline Graham.
Page 32: Photograph from Life magazine, ® 1947 by Time Inc.
Page 38: Photograph from Judgment Day: My Years with Ayn Rand, by Nathaniel Branden, a Marc Jaffe Book, Houghton Mifflin Company, 1989.
Page 42: Photograph from JB Pictures.
Page 62: Self-portrait, top, from the Metropolitan Museum of Art, Harris Brisbane Dick Fund; painting, bottom, from the Museo del Prado, Madrid; both photographs courtesy of the Museum of Fine Arts, Boston.
Page 64: Print from the Metropolitan Museum of Art, Gift of M. Knoedler and Co.; photograph courtesy of the Museum of Fine Arts, Boston.
Page 68: Photograph from Photofest.
Page 70: Photograph from Richmond Newspapers, Inc.
Page 72: Photograph from A.P./Wide World Photos.
Page 74: Photograph from the National Association of Black Journalists.
Page 89: Styled by Martine Leger for Visages Style; hair and makeup by Wendy Osmundson for Cloutier; dress by Azzedine Alai'a, from Gallay, L.A.
Page 90: Photographs, top left, courtesy of Frederic Beigbeder; bottom, courtesy of Hazel Resmondo and Jeanne Martinet, from The Munchkins Remember: The Wizard of Oz and Beyond, by Stephen Cox, to be published in June by E. P. Dutton; printed by permission of the publisher; all rights reserved.
Page 94: Photograph ® 1949 by Yvonne Halsman.
Page 96: Photograph, bottom, styled by Christine Stahl.
Page 98: Photographs: Top, styled by Anne Drummond; grooming by Ruth Funnell for Shipton and Leighton; sequined stretch dress by Katharine Hamnett; leather jacket from a selection at American Classics, London. Bottom, left to right, by Carol Halebian/Gamma-Liaison, Kaluzny/Gamma-Liaison, Roger Jans.
Page 100: Photograph ® 1935 (renewed 1963) by the Conde Nast Publications Inc.
Page 104: Photograph from Sygma.
Pages 106—7: Photographs, left, by Srdja Djukanovic; right, by Julian Simmonds/Select; all others from Camera Press/Globe Photos.
Page 109: Photograph from Network/Contact. Pages 112—13: Photograph from Camera Press/ Globe Photos.
Page 116: Bathing suit from Bonwit Teller, N.Y.C.; shoes, $375, from Susan Bennis Warren Edwards, N.Y.C.
Page 119: Bandeau, $270, from Ruth Shaw, Baltimore, and the Gazebo, Dallas.
Page 122: Photograph from New York Times Pictures.
Page 124: Photograph, left, from UPl/Bettmann Newsphotos.
Page 127: Photograph from UPl/Bettmann Newsphotos.
Page 128: Inset photographs, left, by Ralph Dominguez/Globe Photos; right, from A.P./Wide World Photos.
Page 133: Grooming by Clint Wheat for A la Mode, L.A.
Page 134: "Grace Becomes a Princess" is from The Bridesmaids, by Judith Balaban Quine, to be published in June by Weidenfeld & Nicolson; ® 1989 by Judith Balaban Quine; printed by permission of the publisher.
Pages 134—35: Photograph from UPl/Bettmann Newsphotos.
Page 136: Photographs, top to bottom, by Howell Conant, from Black Star, UPl/Bettmann Newsphotos.
Page 137: Photograph from Magnum.
Page 139: Photograph, inset, from A.P./Wide World Photos.
Page 140: Painting from the Ronald Feldman Gallery, N.Y.C.
Page 143: Photograph from the Orange County Register.
Pages 144—45: Lowell's shoes by Thierry Mugler; Soto's shoes by Walter Steiger; set design by Ron Oates for Cloutier.
Pages 146—47: Styled by Charlotte Pilcher.
Page 152: Photograph from A.P./Wide World Photos. Pages 156 and 158: Styled by Martine Leger for Visages Style.
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