CREDITS

Page 4: Photograph, center, from Camera Press. Page 8: Photographs, bottom, left to right, by Alice Springs, from BBC Enterprises Ltd., by Snowdon.

Page 32: Photograph by Berliner/Gamma-Liaison.

Page 50: Photographs from New York Times Pictures.

Page 52: Photograph by Valeche.

Page 70: Photograph by Raymond Foye.

Page 91: Hair and makeup by llise Heitzner for Liz Baruch, Inc.

Page 92: Photographs, bottom left, from Sygma; bottom right, from Globe Photos.

Page 98: Photograph, bottom, clothes by TrinderBoylan; earrings by Cynthia Rybakoff; hair by Orlando Raphael for Keith White; makeup by Pamela Geiger; styled by Julie Britt.

Page 102: Photograph, right, hair and makeup by Kathy Jeung for Visages Style, L.A.; styled by Lacfdan for Celestine-Cloutier, L.A.

Page 104: Photograph reprinted with permission of Joanna T. Steichen.

Page 106: Stretch-silk-gauze wrap top, $350, and stretch-rayon-and-stretch-silk-velvet tuxedo-striped tights, $385, both by Giorgio di Sant'Angelo, from Barneys New York; Martha, Palm Beach; and Maxfield, L.A.

Page 107: Photograph by Murray Close/Universal City Studios, Inc.

Page 109: Two-piece cotton T-shirt by Romeo Gigli, $184, from Bergdorf Goodman, N.Y.C.; Ultimo, Chicago; and Gallay, West Hollywood. Pants are Sigourney's own.

Pages 110—11: Long black dress of stretch cotton and viscose, by Azzedine Alaïa, $772, from Barneys New York and Gallay, West Hollywood.

Page 112: "The Last Days of the Shah" is from The Shah's Last Ride, by William Shawcross, to be published in October by Simon and Schuster; ® 1988 by William Shawcross; printed by permission.

Pages 112—13: Photograph by Bruno Barbey/ Magnum.

Pages 116—17: Photograph by Max Scheller/Black Star.

Page 118: Photograph from the Image Works/Topham Picture Library.

Page 121: Photograph, bottom left, by Ginies/Sipa Press; others from A. P./Wide World Photos.

Page 123: Photographs, left, by Jean Desaunois/ Imapress; right, by Jean-Claude Francolon/GammaLiaison.

Pages 124—25: Photograph by Jean Desaunois/ Camera Press.

Page 129: Skirt by Isaia; top by Etienne Bruneo; shoes are Brogan's own. Styled by Christienne de Tournay.

Pages 130—31: Monotype from Réunion des Musees Nationaux, Paris; photograph from Roger Viollet. Pages 132—33: Monotype from the Rijksmuseum, Amsterdam.

Page 134: Monotype from the National Gallery of Canada, Ottawa.

Page 135: Monotype from a private collection. Pages 140—41: Hat and gloves from Playmates of Hollywood, L.A.; shoes from Let It Rock, L.A. Hair by Ernie Banales; makeup by Paul Gobel; both for Zenobia, L.A. Styled by Sharon Simonaire for Visages Style, L.A.

Page 142: Photograph courtesy of Philip Roth. Page 148: Wool-satin trench coat by Azzedine Alaïa; crepe dress by Michael Kors; rings by Dary's.

Page 149: One-piece vinyl bathing suit by Saxo; leather pumps by Yvan & Marzia; both from Carol Rollo, N.Y.C. Tights by Christian Dior. Sunglasses by Jean Lempereur.

Page 151: Roussel's "Infernal" vinyl suit by Thierry Mugler, from Maxfield, L.A. Kirchberger's "Diablesse" crepe dress by Thierry Mugler, from Bloomingdale's, N.Y.C., and Barneys New York.

Page 153: "Infernal" grain de poudre suit by Thierry Mugler, from Giorgio of Beverly Hills, L.A.; broadbrimmed sun hat with silk flowers, by Tête-à-Tête; vinyl gloves by Thierry Mugler.