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EUGENE O'NEILL, after launching the three ringed performance of Mourning Becomes Electro looks as if he were about to turn his tireless hand to an epic modelled after a five year plan
ROBERT FROST, in his lyrical threnodies, gratifyingly assures us that, in rare and gifted instances at least, much more than a Coolidge frozen asset can emerge from Way Down East
GEORGE JEAN NATHAN, feinschmecker, and diagnostician to the drama, evinces a bland contempt over his sluggish patient, and wonders if his rather fascist remedies can save it
THEODORE DREISER'S slaps and suits furnish, in the manner of an off-stage accompaniment, a comic element which is sadly absent in the ponderous content of his gargantuan outpourings
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